“Cast upon yourselves a spell against stagnation.”
guidance for creativity Laurie Doctor guidance for creativity Laurie Doctor

“Cast upon yourselves a spell against stagnation.”

How is it that some of us go forward with vigor and adventure to the end, and some of us wither? Or, most likely, we have both qualities but wish to increase the former — the vitality that is connected to hope and self-confidence. How do we free ourselves from the mind-weeds and negativity that are obstacles to renewal? How do we cast a spell against stagnation?

The challenges will keep coming. Here in the desert, having time before class begins, I am making a list of things that are antidotes to ossification, the word itself reflecting the rigidity of bones. Here is my list so far:

Sit alone next to a tree, a place where you cannot be found except by the tree.

Turn left instead of right.

Reach out to someone you don’t like.

Stop thinking about your work and do it.

Stop thinking.

Make room for serendipity.

What follows is a week of serendipity and exploration in Taos, with wonderful images from the student work.

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“Make Your Own Bible”
Guidance for Creativity Laurie Doctor Guidance for Creativity Laurie Doctor

“Make Your Own Bible”

Make your own Bible, is followed by this suggestion:

“Make your own Bible. Select and collect all the words and sentences that in all your readings have been to you like the blast of a trumpet.” — Ralph Waldo Emerson

This idea, along with Gerard Manley Hopkins’s idea of “inscape,” (which I will address later) is what is fueling the theme for my 2023 classes.

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“I have worked hard to give up a place ordained by others in the world….” — Mark Nepo
Guidance for Creativity Laurie Doctor Guidance for Creativity Laurie Doctor

“I have worked hard to give up a place ordained by others in the world….” — Mark Nepo

“I have worked hard to give up a place ordained by others in the world, for this always leads me into noise, confusion and gruffness.”

— Mark Nepo, The Book of Awakening

My aim in teaching is the same for my students as it is for myself: to give up the place “ordained by others” and step into my own particular place in the world. The world cannot find me if I don’t find myself. I begin class with more than an idea, more than faith: it is the experience that each student who shows up has a gift — a gift that no one else has. The contemplative atmosphere in the classroom cultivates work that is distinct to each student. In our recent class in Taos, New Mexico, all the students worked with the same structure, tools, book form, and alphabet — and yet delicious creations arose that are unlike anything or anyone else. (Images from students below).

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Desert Stories

Desert Stories

Our class at Ghost Ranch was inspired by the splendor of the land, and the sense of being away, away, away. The quiet of the desert and the expanse of the horizon in every direction, and the intuitive inner imagery stimulated by working with Barbara Griek, the Tarot, writing and painting. I fall short, every time, of conveying what the students bring…to each other and to me. I fall short of conveying the depth of experience felt in the classroom, and all that goes into the making of their journals.

In Taos, I had the privilege of teaching with Paul Maurer and Nancy Culmone…..

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"Tree, Stone, Eye" | Student Images from Taos
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"Tree, Stone, Eye" | Student Images from Taos

Before I left for Taos to teach the opening classes at the Mabel Dodge Luhan House, I was pushing against the inertia of our long, long sequester. I felt the uncertainty that had grown in many of us about going into the world. I felt the reluctance to move. The poem below made me smile:

My head was heavy, heavy;
so was the atmosphere.
I had to ask two times
before my hand would scratch my ear.
I thought I should be out
and doing! The grass, for one thing,
needed mowing.
from “Inertia,” a poem by Jane Kenyon

Now I have returned from a few weeks in New Mexico, teaching the classes that had been postponed for almost two years. We were the only ones at the retreat, and the classes were small. The landscape was beautiful, christened with desert showers and new blooming flowers. Everyone had been through something significant in our long period of sequester. There was rejoicing — the fresh newness of being together in a room. This rejoicing was helped along by spectacular food, made by our chef, Sophia, and her team — and good wine.

I began, as always, with the conviction that each student who shows up has a particular gift, and is in class to enliven and strengthen that gift — the seed they were given at birth. Everyone is born with a gift. I believe, and am privileged to witness, that the making of art for its own sake will “bring into realization the self most centrally yours” (William Stafford).

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Laurie Doctor Newsletter: Current Online Classes and Work
guidance for creativity Laurie Doctor guidance for creativity Laurie Doctor

Laurie Doctor Newsletter: Current Online Classes and Work

Responding to requests, we are going to offer another session of “Speak to Me From Everywhere” the week beginning March 15. Our intention is to support the lovely Taos retreat, Mabel Dodge Luhan House. We will donate 5% of all the proceeds to Mabel Dodge Luhan House in Taos, New Mexico, where I hold annual retreats.

Click here to register.

Thank you for your enthusiasm, encouragement and participation. We are delighted with the level of connection that can happen online, in spite of the longing to be in a physical place.

The focus in the class is on exploring our “near environment” through writing— using four aspects of landscape: scale, value, movement and pattern. My intention is to create an online class that mirrors, as much as it is possible, the contemplative atmosphere of the physical classroom.

Click on this link to register for “Speak to Me From Everywhere”.

Examples of student work from our most recent online class follows!

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Workshops: Exploring line with ink, paint, thread, graphite and poetry
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Workshops: Exploring line with ink, paint, thread, graphite and poetry

We began with the idea, expressed in many traditions, that we are each born with a seed, an acorn, a particular something that we have to offer back to this world that has been given to us. The clue to what this is, as Joseph Campbell has said, is this question: What did you do as a child that gave you a sense of timelessness? Even if this doesn’t directly answer what your “seed” is, it is the thread for you to follow. Here is the same idea posed by an Italian born, German priest, Romano Guardini, talking about his dream:

Last night, but probably it was the morning, when dreams come, one then came to me. What happened in it I no longer know, but something was said, either to me or by me, which also I no longer know.

So, it was said that when a man is born, a word is given with him, and it was important, what the meaning was: not just a predisposition, but a word. It is spoken unto him in his essence, and it is like the password of everything, what then will happen. It is at once the strength and the weakness. It is the commission and the promise. It is the guard and the dangers. Everything that will then happen through the course of the years is the effect of this word, it is the explanation and the fulfillment. And everything comes to pass for him to whom it was pronounced -- each man, to each to which one was spoken -- he understands it and it comes into agreement with him. –Romano Guardini

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