Tales from Tuscany
I can only give you a glimpse of our time in Tuscany, and that is how it is for all of us. The greatest things cannot be told. And the photos don’t convey the people, the laughter, or how they take such good care of you. Or the full moon rising on our first evening.
I am on the plane home now, and everything is fresh, and so I want to give you a picture. I was with my dear friends Birgit Nass, Mari Bohley and Massimo Polello. And Massimo’s husband, Domenico Quaranta joined us, with the hope and miracle of keeping us organized.
We worked with a couple poems for the week, which Birgit had designed and ready for screen printing. The first one, Prayer, by Galway Kinnell, became a favorite:
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
Such a short poem that keeps working on you like a Zen koan. Perhaps he titled it “Prayer” because it’s a perfect aim and such a far reach, to pray for what happens. It’s a vision that can change the way we respond to our work, and to whatever crosses our path. This is my grail too, my knight-seeking thing . Whatever what is is is what I want. As William Stafford once said, everything is practice.
“Voyaging beyond the bathtub…”
In his book, Essays for Artwork, George Wyllie, a Scottish artist, spoke humorously about art-making. He insists that going beyond your comfort zone and the trends of the day — that “voyaging beyond the bathtub” is fuel for creativity. Inspiration requires food, and the necessity for makers to adventure, to shift and “unplan the future”. There is a need to get beyond the walls of the bathtub and the gallery, to get beyond what is familiar and ignite like minds. Collaborate in new ways. Shake off old ideas by wandering into unknown places and finding artists across the sea or the desert or the road. You don’t have to go far, but finding a new perspective is inherently refreshing.
Walking down a cobblestone street in Stroncone, we happened upon a small opening in the wall, and walked into the Studio D’Arte of C. Massoli. Two small rooms filled with his drawings, sculptures, and paintings; and his desk with the lovely old books on the shelf…
Catching Song: Teaching in Italy this Summer
I was recently listening to an interview with the musician, Bobby McFerrin where he describes improvisation as movement, as catching song. What does it mean to catch a song? It implies that the song, our creation, is already here– and so part of our work as artists is to listen, to observe, and improvise from our experience. At La Romita, we will develop these skills through drawing, writing and watercolor techniques– and taking daily sketching trips into the small Umbrian hill towns. In the afternoons we return to La Romita for time in the workshop.